For my exhibition I researched several artists interested and influenced by similar subjects. Andy Goldsworthy, Nina Katchadourian and Tehching Hsieh are among the most important in my project. During my researching process, I experimented with guerrilla gardening, photography and shadow work. All of which help me express time and evolvement.
A blog for everything I want to document throughout my years at Staffordshire University.
Sunday, 6 November 2011
Analysis of Exhibition.
Harvard Process.
(1) 'The life and Work of Theodore Garman.' Publsihed by the New Art Gallery Walsall.
ISBN Number: 0 946652 740
(2) 'Fear and Loathing in Las Vegas.' Authored by Hunter S. Thompson.
ISBN Number: 0 679 78589 2
(3) 'People Should Smile More.' Written by Newton Faulkner.
Hand Built by Robots.
ISBN Number: 0 946652 740
(2) 'Fear and Loathing in Las Vegas.' Authored by Hunter S. Thompson.
ISBN Number: 0 679 78589 2
(3) 'People Should Smile More.' Written by Newton Faulkner.
Hand Built by Robots.
Saturday, 5 November 2011
Art, beer and too many people...yes, London time!
3rd November 2011.
After a long, ridiculous strategy of handing out tickets, we all managed to get on the train before it was too late. The train journey...standard. I tried to sleep whilst a business man bragged to a stranger how successful he is. We arrive in London and go to our hotel, Royal National Hotel. Checking-in appeared to be an impossible task; it was too hot and unorganised, but a Twister ice lolly made everything better. After a good hour, it was time to start the day. We strolled the streets in London to the train station, where myself and a handful of others were separated from the rest of the team. (The photo is of Louise telling her Dad how we were already lost).
This was due to the hectic London lifestyle and a certain someone walking straight into a lamp post (not mentioning any names....Graham). We decided to take it upon ourselves to follow the so-called itinerary, yet didn't manage to find anyone until the Whitechapel Art Gallery at about 5-6ish. As Newton Faulkner says, 'People should smile more.' The staff in the Whitechapel Art Gallery took themselves too seriously. Vyner Street Galleries and the First Thursday entertainment was amazing. I loved walking up and down this street full of hundreds of people, appreciating the artwork...with a beer! :) One of my favourite artists was Anya Red; a BA(Hons) Fine Art student who created work around the fascination of high heels. Her question was 'Do they provoke a sexual thrill or show a woman's desire for power in the Man's world?' After working up an appetite a few of us went to an Italian restaurant, where of course I order more than I can manage. Louise and I ordered a starter of garlic bread each which turned out to be as big as a large pizza. We demolished that easily and was applauded. Then when our huge portion of lasagne came, all I can say is I almost exploded. I don't like to be defeated. Louise was managing more than I was, so tactfully I made her laugh to ensure she wouldn't be able to eat another mouthful. Genius! We then all separated and did our own thing.
After a few snoozes on the alarm, we went for breakfast at 9am. Again we ate too much. A bowl of cereal, a bowl of fruit and three pieces of toast. How I hate my competitive ways. Anyway, as we'd pretty much covered all of the galleries on our own the day before, we departed from the group and went shopping in Camden. Self explanitory really; it was amazing.
After a long, ridiculous strategy of handing out tickets, we all managed to get on the train before it was too late. The train journey...standard. I tried to sleep whilst a business man bragged to a stranger how successful he is. We arrive in London and go to our hotel, Royal National Hotel. Checking-in appeared to be an impossible task; it was too hot and unorganised, but a Twister ice lolly made everything better. After a good hour, it was time to start the day. We strolled the streets in London to the train station, where myself and a handful of others were separated from the rest of the team. (The photo is of Louise telling her Dad how we were already lost).
4th November 2011.
We explored Tate Britain and Tate Modern, before heading back to the hotel for 6pm to collect our bags. We got our bags at 6.20pm! But all was cool, because we finally spotted our first celebrity. Well some guy out of Emmerdale but hey, we were at Euston Station after all. 7pm got on train and had an amazing little nap. Thanks Mark and Dave for photographing me whilst asleep...very grateful! haha 8.30pm we arrive back in good ol' Stoke.
Wednesday, 2 November 2011
Fear and Loathing In Las Vegas...
I'm currently re-reading one of my favourite books, 'Fear and Loathing in Las Vegas.' Alongside the surreal text, I'm in love with these gnarley illustrations. Ralph Steadman = genius!
Photography and Fine Art.
I am currently producing a mini photography project alongside my other work. From analysing several ways of working with photography, I narrowed it down to two responses; Intervention and Landscape/Location. Due to many reasons these interested me the most, therefore I had to again narrow it down to one. Below is my thought process on both topics.
Intervention:
Wim Delvoye, 'Out walking the dog' 2000. Civic typography. Grand idea. Mixture between public and private. Can use photo manipulation. David Shrigley, 'Ignore This Building' 1998. Adam Chodzko, 'Better Scenery' 2000. Finchley Road, London. Describes how to get to the Arizona sign and vice versa. Offers an escape. Nina Katchadourian, 'Mended Spiderweb #19' 1998. Responding to natural breakage.
Landscape/Location:
Naoya Hatakeyama, 'River Series/Shadow #050' 2002. Interested in urban spaces, especially at night. Sets camera looking down onto Tokyo river. Light on water. Poetic like. Almost painting in itself. 10 minutes, same spot and rephotographs it. Andrew Gursky, 'Untitled XIII' 2002. Large format, negatives. Scans to manipulate. Viewer far away from subject. We feel God like. No focal point. Immaculate consistancy. Richard Long, 'Walking in a line in Peru' 1972.
Although both ways of working are relevant towards my general practice, I have came to the desicion of basing my project around 'Landscape/Location.'
Intervention:
Wim Delvoye, 'Out walking the dog' 2000. Civic typography. Grand idea. Mixture between public and private. Can use photo manipulation. David Shrigley, 'Ignore This Building' 1998. Adam Chodzko, 'Better Scenery' 2000. Finchley Road, London. Describes how to get to the Arizona sign and vice versa. Offers an escape. Nina Katchadourian, 'Mended Spiderweb #19' 1998. Responding to natural breakage.
Landscape/Location:
Naoya Hatakeyama, 'River Series/Shadow #050' 2002. Interested in urban spaces, especially at night. Sets camera looking down onto Tokyo river. Light on water. Poetic like. Almost painting in itself. 10 minutes, same spot and rephotographs it. Andrew Gursky, 'Untitled XIII' 2002. Large format, negatives. Scans to manipulate. Viewer far away from subject. We feel God like. No focal point. Immaculate consistancy. Richard Long, 'Walking in a line in Peru' 1972.
Although both ways of working are relevant towards my general practice, I have came to the desicion of basing my project around 'Landscape/Location.'
Monday, 24 October 2011
Stringing together an arguement.
I have been asked to write a couple of paragraphs that itemize the strands of research, that'll bring together an arguement for the forthcoming Pecha Kucha presentation.
My chosen artwork are the words by Theodore Garman, that are documented in The Garman Ryan Collection and in The New Art Gallery, Walsall's archive.
After further research on Theodore's mental health, his relationships with family and friends and his strange, yet creative use of words; I will hopefully have a successful critical review on the meanings behind his writing. By looking at various letters sent by Theodore and scribblings he produced throughout many textbooks, I aim to understand and argue his stability and thought process. It interests me how one can create such sinister and negative writings, yet also create pieces that are beautiful and poetic too.
'The weather is simply lovely now. The sunsets and sunrises are so beautiful to look at in the morning and evening.' This is one of my favourite quotes from one of Theodore's letters to his family and friends. It suggests real admiration and romanticism. This reflects his intelligence and portrays that he has a natural gift for writing.
'Health of the body' and 'better state,' are just some of the words and phrases that Theodore underlined throughout his textbooks. These negative words suggest how he may be feeling and how he wishes that he was in a 'better state.' This could mean in a better state of mind, which reflects his suffering of schizophrenia. Above are two examples of Theodore's sinister side and his artistic side. Through analysing and comparing such differences, I intend to create an effective critical review on the mind and words of Thedore Garman.
My chosen artwork are the words by Theodore Garman, that are documented in The Garman Ryan Collection and in The New Art Gallery, Walsall's archive.
After further research on Theodore's mental health, his relationships with family and friends and his strange, yet creative use of words; I will hopefully have a successful critical review on the meanings behind his writing. By looking at various letters sent by Theodore and scribblings he produced throughout many textbooks, I aim to understand and argue his stability and thought process. It interests me how one can create such sinister and negative writings, yet also create pieces that are beautiful and poetic too.
'Health of the body' and 'better state,' are just some of the words and phrases that Theodore underlined throughout his textbooks. These negative words suggest how he may be feeling and how he wishes that he was in a 'better state.' This could mean in a better state of mind, which reflects his suffering of schizophrenia. Above are two examples of Theodore's sinister side and his artistic side. Through analysing and comparing such differences, I intend to create an effective critical review on the mind and words of Thedore Garman.
Friday, 21 October 2011
Research Exploration
I have been asked to find three varied pieces of information through research, on Theodore Garman. One being a magazine article, another being a quote from a book and finally a page from an e-resource. This will hopefully allow me to feel better equipped to evidence my Researching Fine Art assessment.
1) An article from a magazine-
2) A quote from a book- 'In due course he was diagnosed as suffering from schizophrenia, although the accuracy of this diagnosis was a matter of contention and debate among his family and friends.' 'The Life and Work of Theodore Garman.' ISBN 0 946652 74 0. I chose this quote in particular because instead of Theo being diagnosed with schizophrenia by a doctor, he was instead labelled this by his friends and family. In my opinion this is more important, as these people knew more about him and his life than anyone else. It says a lot about ones attitude if they are described in this way by people whom they are close to. Following this diagnosis Theodore's doctor agreed with the accusations of schizophrenia, therefore it was also professionally diagnosed.
3) A page from an e-resource- After searching Theodore Garman, Jacob Epstein and other similarities, I decided to search for schizophrenia itself. This page explains what schizophrenia is and I find it very useful as I am focussing a large section of my assessment on this illness. (I couldn't figure out how to print screen as I literally repel technology, therefore I used a quick copy and paste of the page).
1) An article from a magazine-
2) A quote from a book- 'In due course he was diagnosed as suffering from schizophrenia, although the accuracy of this diagnosis was a matter of contention and debate among his family and friends.' 'The Life and Work of Theodore Garman.' ISBN 0 946652 74 0. I chose this quote in particular because instead of Theo being diagnosed with schizophrenia by a doctor, he was instead labelled this by his friends and family. In my opinion this is more important, as these people knew more about him and his life than anyone else. It says a lot about ones attitude if they are described in this way by people whom they are close to. Following this diagnosis Theodore's doctor agreed with the accusations of schizophrenia, therefore it was also professionally diagnosed.
3) A page from an e-resource- After searching Theodore Garman, Jacob Epstein and other similarities, I decided to search for schizophrenia itself. This page explains what schizophrenia is and I find it very useful as I am focussing a large section of my assessment on this illness. (I couldn't figure out how to print screen as I literally repel technology, therefore I used a quick copy and paste of the page).
Searching: Specific Databases, Show all (Databases included: PsycINFO) Show Less Choose Databases by Subject »
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Detailed Record
- Title:
- Cerebellar development in childhood onset schizophrenia and non-psychotic siblings.
- Authors:
- Greenstein, Deanna, Child Psychiatry Branch, NIMH/NIH, Bethesda, MD, US, greenstd@mail.nih.gov Lenroot, Rhoshel, Child Psychiatry Branch, NIMH/NIH, Bethesda, MD, USClausen, Liv, Child Psychiatry Branch, NIMH/NIH, Bethesda, MD, USChavez, Alex, Child Psychiatry Branch, NIMH/NIH, Bethesda, MD, USVaituzis, AC, Child Psychiatry Branch, NIMH/NIH, Bethesda, MD, USTran, Lan, Child Psychiatry Branch, NIMH/NIH, Bethesda, MD, USGogtay, Nitin, Child Psychiatry Branch, NIMH/NIH, Bethesda, MD, USRapoport, Judith, Child Psychiatry Branch, NIMH/NIH, Bethesda, MD, US
- Address:
- Greenstein, Deanna, Room 3N202 Building 10, Bethesda, MD, US, 20892, greenstd@mail.nih.gov
- Source:
- Psychiatry Research: Neuroimaging, Vol 193(3), Sep 30, 2011. pp. 131-137.
- Page Count:
- 7
- Publisher:
- Netherlands: Elsevier Science.
- ISSN:
- 0925-4927 (Print)
- Language:
- English
- Keywords:
- cerebellum; childhood development; schizophrenia; siblings
- Abstract:
- We explored regional and total volumetric cerebellar differences in probands and their unaffected full siblings relative to typically developing participants. Participants included 94 (51 males) patients diagnosed with childhood onset schizophrenia (COS), 80 related non-psychotic siblings (37 males) and 110 (64 males) typically developing participants scanned longitudinally. The sample mean age was 16.87 (S.D. = 4.7; range 6.5 to 29). We performed mixed model regressions to examine group differences in trajectory and volume. The COS group had smaller bilateral anterior lobes and anterior and total vermis volumes than controls. The COS group diverged from controls over time in total, left, right, and bilateral posterior inferior cerebellum. Siblings did not have any fixed volumetric differences relative to controls but differed from controls in developmental trajectories of total and right cerebellum, left inferior posterior, left superior posterior, and superior vermis. Results are consistent with previous COS findings and several reports of decreased cerebellar volume in adult onset schizophrenia. Sibling trajectories may represent a trait marker, although the effect size for volumetric differences in early adulthood may be small. (PsycINFO Database Record (c) 2011 APA, all rights reserved)
- Subjects:
- *Brain Development; *Cerebellum; *Childhood Schizophrenia; *Siblings
- Classification:
- Schizophrenia & Psychotic States (3213)
- Population:
- Human (10) Male (30) Female (40)
- Location:
- US
- Age Group:
- Adolescence (13-17 yrs) (200)
- Tests & Measures:
- Hollings Head Scale Scale for the Assessment of Negative Symptoms Scale for the Assessment of Positive Symptoms Wechsler Intelligence Scale for Children, Third Edition Brief Psychiatric Rating Scale California Verbal Learning Test Global Assessment of Functioning Scale
- Methodology:
- Brain Imaging; Empirical Study; Quantitative Study
- Supplemental Data:
- Tables and Figures [Internet]
- Format Availability:
- Electronic; Print
- Format Covered:
- Electronic
- Publication Type:
- Journal; Peer Reviewed Journal
- Document Type:
- Journal Article
- Publication History:
- Accepted Date: Feb 23, 2011; Revised Date: Dec 21, 2010; First Submitted Date: Sep 9, 2010
- Release Date:
- 20111003
- Digital Object Identifier:
- 10.1016/j.pscychresns.2011.02.010
- Accession Number:
- 2011-18149-002
- Number of Citations in Source:
- 52
- Database:
- PsycINFO
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